
PROFESSIONAL ACTIVITIES
Director
Alpine School of Art – founder/director, from 2025
Founder/co-founder
MASS Project (curatorial collective – UK, Macedonia, France) – co-founder, since March 2023
SEL__NOIR (sonic arts collective) – co-founder, since 2021
TSOEG (Temporal School of Experimental Geography) – founder/coordinator, since 2013
Associations
Beyond Discourse (European network – Spain, France, Belgium, UK, Portugal) – member since October 2024
PRAKSIS (Oslo, Norway) – guest PDF sessions since November 2022
Remote Sensing Research Network, CRASSH (University of Cambridge) – guest, since October 2022
Archaeology-Heritage-Art (AHA) Research Network (University College London & slade School of Art) – guest, since February 2022
AADK Spain (Centro Negra) – collaborator and affiliate, since July 2019
Hangar Barcelona – researcher (as TSOEG), since January 2019
Hablarenarte (Curators’ Network Madrid) – member (as TSOEG), since January 2019
Land² – associate member, since 2018
Rabbit Island Foundation (USA) – alumni and affiliate, since 2016
Centre for the GeoHumanities at RHUL (UK)– affiliate member, since 2016
Royal Geographical Society (UK) – fellow, since 2007
LinkedIn – since 2005
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Consultancy
Establishing and coordinating artist/curator networks
Developing transdisciplinary frameworks for alternative conference formats
Collaborating and contributing to artistic research/production residencies
Organising cultural events and delivering complex public programmes
Initiating and facilitating art and environment public workshop programmes
Creating material and systems for/with archives and collections
Conceptualising and producing small-run and large-scale publishing projects
Writing and producing symposia/project reviews and peer-reviewed papers
Engaging with academia and specific thematics as an independent researcher
Providing advice for artist-led and arts/geography expeditions and fieldwork planning
Leading teams for group residencies and projects
Conversations
Choules continually engages with an international cohort of peers in critical and inspirational dialogue through in-person and online meetings. Presently, these include over fifty TSOEG artists and associates; regular one-to-one or small-group online meetings with artists Sian Bonnell, Susan Derges, Edwina fitzPatrick, Laura Harrington, Hayley Newman and Nastassja Simenski, and in-person meetings with Barcelona-based artists Yamandú Canosa and Victória Rabal; also, curators and critics Elena Azzadín, Marsha Bradfield, Lucy Day, Sally O’Reilly, Carolina Rito and Radhika Subramaniam.
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A selection of conference/project reviews (click images to see PDFs)
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Mentoring/coaching
Choules has worked extensively with artists and culture professionals to support their practice through conversation and critical feedback. They specialise in developing artwork and project directions from initial concepts to final pieces; and discussing alternative ways of documenting time-based practice for exhibition, events or publishing. They flow easily with a wide range of media formats and disciplines, especially if the work involves expeditions and fieldwork, exhibition formats and public engagement.
“My conversations with Luce are invaluable. They have a unique, gentle and intuitive way of enabling me to unscramble my thoughts. For many years they have helped me find meaningful frames and flexible structures to hold my projects and interrogate my practice as a whole. I can’t recommend them enough.”
“I think we have covered almost everything on my original list for the coaching – in this thorough reworking of the web site and the written work necessary for that, means that I think I have delved far more deeply into the subject and given my practice the direction it needs.”
“To be honest these mentoring sessions have gone better than I imagined!”
Teaching
Many years ago, Choules worked at Kingston University London, University of Brighton and UAL Central St Martins where they taught in a variety of art and writing courses at both undergraduate and postgraduate degree level. They also devised and delivered coursework content for undergraduate ‘extension studies’ and ‘continuing education’ programmes. In addition, they have delivered readings and professional practice sessions in many instutions and organisations, both in-person and online.
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“Embracing change
precarity becomes
terrain
and matter
of consequence
to work with
a field
where we are
held together
not as one
but fluid
loose material
forming encounter
in uncertain movement
with resistance and agility.”